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'Pale Fire' by Nabokov: review

Jul 31, 2020
2 min read

Pale Fire Vladimir Nabokov cover
Pale Fire Vladimir Nabokov

Hmmmmm. I've rarely been so conflicted in a response. And my 4 stars should be 3.5. And I totally think I need to revisit this in 6 months, where my start could change anywhere from 3 to 5.


The definitely won't drop below 3, because the writing was brilliant, which is barely the word--it's Nabokov, the master, so I guess I'll use the rare word genius.


It's the whole setup of it that's in question. It was incredibly fun for awhile, and wildly inventive (Hmmmmm--I think it just went back up to at least 4 stars. I sometimes forget that Reading it NOW, 60 years later, I'm immersed in a lit world made possible by this book. "Wildly inventive" also means incredibly influential, creating other things that now make it more of a shrug.) But...


But...


The joke grew a bit tiresome for me. Also, it was such an inside joke--so much of the cleverness directed at lit criticism, lit departments (a bit), and just the lit world. Ho hum. Definitely feels like it was written by a lit prof, doing an deliciously savage satire of his rarified lit world. I just really don't care that much.


And finally, this last "issue" is specific to me, but a lot of you, so if you're a poetry aficionado, please ignore. The poem at the center of it wasn't really the point, at least for me, but was a huge part of it, including the (I think) intentionally bad parts--though a quick check online demonstrated a completely divide world on that: Many contend the whole poem is a prank, intentionally awful, while others praise its beauty, even its greatness as a work unto itself. It seems like a truly wondrous and fascinating game, but available only to deep readers and true aficionados of poetry, and I don't qualify.


(If that seems like a silly argument, try it with jazz, or much better for the poetry crowd, country music. Imagine a book built around a famous country music artist, with his/her entire lyric catalog at the core--or complete lyrics to perhaps 50 songs--and much of the joy of the experience came in appreciating the beauty of some lines/songs, and laughing at the idiocy of others. For all of you who shrug or roll your eyes at country music, and have no way in, or ability to discern--and where just wading through them is a painful chore . . . That book would be doomed in some sense -- you're not going to get the full promise of it.


Which perhaps makes me unqualified to review it, but I think that's nonsense: it was published for a general audience, widely read, and recommended for non poets... I think it would be fair, perhaps to segregate reviews between for poetry-lovers and non, and feel free to put me in the latter camp.


I long ago decided that I would not attempt to review how good I thought books/films/music/art are for OTHER PEOPLE--what an absurd pursuit--or objectively "best," for something so subjective, but merely what worked for me. (And when relevant, disclose my subjectivity.) This worked for about 4 stars.

54 Comments


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Oct 15

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robot
Oct 09

I totally get your conflicted feelings on *Pale Fire*—Nabokov’s genius is undeniable, but that layered, self-referential structure can feel like an exclusive game. It’s fascinating how the poem’s ambiguity mirrors the way digital content today demands context to be fully appreciated. Just like how a transparent video only reveals its full impact when properly embedded and viewed in the right environment, Nabokov’s work shines brightest for those deep in the literary conversation. Tools like AlphaPublish make that technical layer seamless for modern media, much as a good annotation might help unlock this novel’s depths.

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Oct 05

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Sep 24

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Sep 17

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