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Author Topic: What Movie Did You Watch This Weekend?  (Read 108573 times)
oilgun
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« Reply #2130 on: February 19, 2012, 01:14:24 PM »

Saw SAFE HOUSE last night with Denzel Washington, Ryan Reynolds
and Vera Farmiga.

I didn't mind the story, but the execution ruined the film for me.  I
disliked the photography, it was directed in Michael Bay fashion (by that
I mean his pension (pention?) for cutting off people's necks and foreheads;
close-ups beyond close-ups, in other words), it was edited in a blender
I think, the score was annoying, the sound effects took precedence
over the dialogue.  Awful, but routine film-making right now.



What about Ryan Reynolds penchant for taking off his shirt?  Is it in evidence here?  Wink

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Ennis Del Mark
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The first sign of life in four years...


« Reply #2131 on: February 19, 2012, 01:21:30 PM »

Saw SAFE HOUSE last night with Denzel Washington, Ryan Reynolds
and Vera Farmiga.





Lyle, you're so LUCKY!!  Knowing all those famous people.  I had to see the movie all by myself.
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Lyle (Mooska)
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« Reply #2132 on: February 19, 2012, 01:26:13 PM »


I was thinking that same thing when I wrote that!  LOL!

(Hi, Mark!)
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Lyle (Mooska)
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« Reply #2133 on: February 19, 2012, 01:27:57 PM »

What about Ryan Reynolds penchant for taking off his shirt?  Is it in evidence here?  Wink

Only with his back to the camera once, but even so, the photography is so
grainy and unappealing that even if he was naked it wouldn't be worth it.

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Ennis Del Mark
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The first sign of life in four years...


« Reply #2134 on: February 19, 2012, 05:43:47 PM »

I was thinking that same thing when I wrote that!  LOL!

(Hi, Mark!)


Ha, ha...I just love to do that.  My brother saw SAFE HOUSE and said it utterly confused him so I decided to skip it.

(Hi, Lyle!)

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Ennis Del Mark
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The first sign of life in four years...


« Reply #2135 on: February 19, 2012, 05:57:46 PM »

I watched an oldie today, BEDTIME STORY (1941), a comedy starring Fredric March, Loretta Young, and Eve Arden.  Not bad at all; I love Loretta and Eve and like Freddy so it was a pleasant 85 minutes.  It comes on TCM every now and then and is worth a watch. Loretta wears some stunning gowns, especially one where she "shows" Eve's character how to play a scene onstage.  Only debit: not enough of Eve in the film.
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gattaca
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« Reply #2136 on: February 19, 2012, 06:36:57 PM »

Say The Grey today at the matinee showing.  Not some of Liam's best work.  Story was way too predictable.  
All you need to know is below.

Spoiler on swipe and read:

airplane crash, wilderness, wolves, eaten

Later, Vincent
« Last Edit: February 20, 2012, 05:00:02 PM by gattaca » Logged
canmark
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« Reply #2137 on: February 20, 2012, 07:27:27 AM »

Although they say there is no public list of the 5,765 members of the Academy of Arts and Sciences, the LA Times has produced an interactive chart of the membership. They say, for example, that 54% of members are over 60 years old and only 2% are under 40. 77% are male, and 94% are white.

http://www.latimes.com/entertainment/news/movies/academy/
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« Reply #2138 on: February 20, 2012, 10:01:32 AM »

Now that is sad and explains a lot.
However
every year AMPAS publicises the list of those invited to join and they usually seem to be younger actors. If THEY don't pony up the money (if there is an initiation fee and/or dues) or follow up on the invite, the Academy is not at fault for their demographics.
« Last Edit: February 20, 2012, 10:07:41 AM by doodler » Logged

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« Reply #2139 on: February 20, 2012, 11:43:59 AM »

I watched an oldie today, BEDTIME STORY (1941), a comedy starring Fredric March, Loretta Young, and Eve Arden.

What film am I thinking of with David Niven in it?  I thought he did one
called Bedtime Story.

*Ok, I looked it up.  There is also a 1964 film called Bedtime Story
with Niven, Brando and Shirley Jones.
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Lyle (Mooska)
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« Reply #2140 on: February 20, 2012, 11:49:01 AM »

All you need to know is below.

LOL, Vincent!

I didn't care for the film because I wasn't sure what the film makers
really had in mind.  I found it ultimately to be rather bleak and depressing
and I thought surely that's not what they were getting at and if they were,
well, ugh!
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Lyle (Mooska)
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« Reply #2141 on: February 20, 2012, 12:27:54 PM »

Although they say there is no public list of the 5,765 members of the Academy of Arts and Sciences, the LA Times has produced an interactive chart of the membership. They say, for example, that 54% of members are over 60 years old and only 2% are under 40. 77% are male, and 94% are white.

http://www.latimes.com/entertainment/news/movies/academy/

I don't know if I agree with Doodler that this info is sad and explains a lot.
I think it is interesting, but any group that awards film prizes is subject to
question and always are, especially with the advent of the internet!

Anyway, I think the most troublesome aspects of this info and the accompanying
articles is the way they award memberships in it and the fact that, as the article
states: Academy memberships don't expire.

This one line explains why the membership skews to nearly half of the people
being over 60.  I think that their membership rules should be changed.  They
don't necessarily have to expire, but maybe they could be limited as to what
they get to vote on if they aren't currently working or don't have working
credits for awhile.  They could vote on the best film and the category their
membership corresponds to, perhaps, instead of EVERY category.

I mean, what does a visual artist who may not have worked in 30 years know
what it takes to work in that environment today, for example?

The other problem is that one of the criteria you can be admitted to the academy
is just the recommendation of two other people who are members.  So, according
to the article Lorenzo Llamas was "sponsored" by his parents back in 1981 or
something like that. (His parents being Fernando Llamas and Esther WIlliams.)

Meatloaf was sponsored by Dennis Quaid and someone else when he did the
Sweet Home Alabama film or some film with Alabama in the title.  That's all it took?

The current academy president, Tom Sherak, says that admission is granted on
a person's body of work, so he was asked why Rooney Mara was admitted in
2011 when her credits were miniscule and the best were a lead in a remake of
Nightmare on Elm Street and two lines in The Social Network.  This year she
happened to get a lead actress nomination so former academy president Sid
Ganis said about her admission: "The actors branch somehow knew, divined,
that this was a talented person whose work, of course, they had seen or she
wouldn't have become a member, and then who went on to prove it."


That is a B.S. answer in my opinion.  Rooney Mara said she had "no idea" why
the invite was extended to her, when she was asked at the recent ampas
luncheon.

Even if you take Ganis' word for her inclusion of "divined" intent, what does that
say about the ampas memberships of Steve Guttenberg, Cheech Marin, Judge
Reinhold, Paul "Pee-wee Herman" Reubens, Vin Diesel, Jet Li and, yes, Meatloaf?

They all vote on who wins all the awards!  But Woody Allen and George Lucas do
not!  As the article explains:

Of course, the group cannot force people to join. Allen, a 23-time Oscar
nominee and three-time winner, and Lucas, a four-time nominee and recipient
of the academy's Irving G. Thalberg Memorial Award, have declined membership.


(OBSERVATION:There was no statistic in the article of how many GAY members
there are!)

As for diversity, this year's actor nominee Demian Bechir says that there'd be more
opportunities for latinos if more latinos were members of the academy.  Not if
they are the likes of Lorenzo Llamas and Cheech Marin, if you ask me.

The kinds of things I mentioned bother me more than the age or diversity of
the members.  I've seen the Kid's Choice and Teen Choice and People's Choice
Awards.  They are not any better, unless you are  h e a v i l y  into vampires.

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Lyle (Mooska)
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« Reply #2142 on: February 20, 2012, 12:36:00 PM »

To quote Ann Miller in Easter Parade, "I'm not done yet."

First, thanks for that article link, Mark, I enjoyed it.

I wanted to say that so many people in those articles talked about the
"free screeners" and that they take their membership seriously and
"watch all the screeners."

Makes you wonder how they saw the films before you could see them on
cable channels or home video devices!  Seeing films on a movie screen the
way they were meant to be seen is how they should be judged for the
awards, NOT at home.  Comedies, for example, are far better in a shared
experience environment.  Technical aspects of films can be totally different
at home than up on the silver screen.  Some films you can like in a theater
and hardly get through at home.  Can a 3-D film like Hugo or Tin-Tin be
judged as well on a 2-D screener?

Anyway.
« Last Edit: February 20, 2012, 03:38:47 PM by Lyle (Mooska) » Logged
Lyle (Mooska)
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« Reply #2143 on: February 20, 2012, 12:41:08 PM »

That article is going to inspire a line I will frequently use
during next week's oscar ceremonies:  "I wonder what
Steve Guttenberg voted for?"
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doodler
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« Reply #2144 on: February 20, 2012, 02:55:27 PM »

It's not just over 50% are at least 60,
it's 98% are over 40.
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Things can change in an instant so why not live truthfully?
Jason Collins
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